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Image 1. Dry Scan. Scancience Fluid-Scan. Image 2. Essential Knowledge. I have an Imacon scanner, and because of the Lumina scanning fluid, I am able to make wet scans with it.
These wet scans exceed the quality of some drum scanners. The fluid is wonderful because you don't have to clean it off. It just evaporates, so it eliminates much of the pain of wet scanning.
ScanScience worked with me personally to develop the system, and since then it's the only system I use to scan my slides and negatives. When ScanScience developed it, they told me that the scans would now be sharper, with less grain than without the fluid, and they were absolutely right".
If you need help deciding which items to order, please contact us indicating which scanner you have. If your scanner is not on the list, please contact us.
Using the ScanScience advanced techniques of fluid scanning, our business has catapulted to a privileged place in the advanced scanning segment of photography.
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You must use proper software for film scanning. We recommend Silverfast Ai Studio 8. The purpose of this section is two-fold: It acquaints you with the capacity of film as a recording medium compared to digital.
Perhaps more important to all photographers, it covers the most critical points in choosing the color space when scanning and when printing from Photoshop.
The scans shown below are unedited dry and wet scans. These scans show the difference in resolution of dry as compared to wet scanning.
Wet scanning can do this because it is an optical technique. No manipulations of any kind were applied.
W hat you see is the unedited scan. As you can see, the wet scans obtained through the ScanScience wet-scan technology are far superior in resolution, sharpness, contrast , and dynamic range.
Color Think Pro is unquestionably the premier color management software. One of the of the most important decisions you are likely to make in scanning is tagging your image with a working color space.
Once you do that, the image is forever confined to the boundaries of that color space. The colors contained in the film that the working color space can't include are permanently lost clipped to the scan and can't be recovered.
Choosing, after the fact, a wider color space in Photoshop is ineffective. The loss is permanent and cannot be undone. In scanning, the objective of color management is to record, with maximum fidelity, the colors embedded on film.
If you have scanned and captured all the colors in the film faithfully, the image's richness may not be fully evident in the monitor at hand, but since printers have wider gamuts than most monitors, the printer may print most colors in the scan even though you cannot see them on the monitor.
The richness of the colors in the scan are not most because the monitor does not display them or the current printer can't print them. They are embedded with the scan, waiting to come to life and be rescued by a better monitor or printer.
Opting for fluid-scanning puts within reach the highest quality reproduction possible. To ensure this, the path from the scan to the print must be direct as regards size and color settings, with the least amount of intervention by the photo-editor software.
Best quality requires sizing the scan for the print and tagging the optimum working color space to the image from the start.
This means a color space that will not clip the colors on film nor one that will be too wide as to include artificial, mathematically created colors.
When comparing the dry and wet scans done on the V little difference can be seen though there may be a little more dynamic range shown on the wet scan.
Now let us look at some color images. Taken on a trip down there from Detroit before I left for the West Coast, knowing I would probably never see her again.
Both are very acceptable captures of all the detail that this old negative can capture. That said, both are good scans and if printed one could question whether the printing process, depending which is used, could capture as much of the dynamic range as the wet scanned negative.
It also should be noted that this part of the image was from the center of the negative and this old film has a lot of curl to it.
Whether the dry scan mounted in the holder would have been flat enough to produce consistant results on the edges is questionable.
I personally hate to fish, but when your Uncle asks you to do something you comply. The image here is of my Uncle fishing Sulphur Creek. There were 30 lb King Salmon running up the creek at the time but he was fishing for trout.
The salmon would have been not very good eating even if it was legal to actually take them home at the time as they are at the end of their life and half wasted away.
Goerz Rectagon Lens large format lens mounted on it. This gives an image with about a 90 degree angle of view. I wet scanned this at ppi so of course the actual.
Note the amount of detail that the wet scanning can extract from this film is so good that you can make out my Uncle fishing on the shoreline!
So obviously the Epson V can give some great results and the ScanScience wet mounting kit can enhance these results even further and ensure that the negatives remain perfectly flat in the process.
I am still working on my technique to minimize dust that has to be digitally removed later, but that will simply take practice.
Since the labs that I use charge so much for scans and these scans are worse or at best equal to what I can get from the Epson V, I think my days of having scans with my developing are over.
A note about scanning software. That supplied with the V cannot access the High Pass Optics of the scanner. That supplied with the V I purchased does but the software would not work with my latest version of Mac OS.
As a result, if you purchase either the V or V you will have to upgrade the software supplied to access these High Pass Optics.
Many thanks to John for coming back to us with another fantastic article. If you have your own experiences or tips please leave them in the comments below.
Thanks JCH. Camera hunter, photographer, camera geek, Tokyoite and Englishman all rolled into one gracefully balding package. I have been living and working in Tokyo for 14 years now and it is my home.
Tokyo is heaven for cameras and I know the secret spots and special places. Let me be your 'camera enabler'. I considered buying an Epson Vish for a long time but decided against it.
Also, it can scan an uncut roll of 35mm in batch mode. If your exposures on a single roll are very uniform, you can have the scanner scan the whole roll in batch mode.
I use Vuescan instead of the outrageously overpriced Silverfast. Fast alle modernen Wettscheine haben einen Barcode den du mit dem Smartphone oder über deinen PC einscannen kannst.
Sobald du den Wettschein gescannt hast, wirst du auf die Webseite des Wettanbieters weitergeleitet, der dir alle Informationen über den Wettschein anzeigt.
Natürlich auch ob du mit deinem Wettschein gewonnen oder verloren hast. The radar has revolutionized this and made sure that human error cannot play as big a role as the former may have made in aviation.
Aircraft radar in the modern world is a very important part of the plane, but accidents can still happen, as seen with the plane from Malaysia.
Aircraft radar can thus be said to be one of the most important parts of the traffic as we know it today, as it has so many different benefits.